Sunday, August 2, 2015
A great way to finish breakfast with doodling placemats, challenge to draw an elf, a chameleon and an ostrich...
Wednesday, July 22, 2015
Monday, July 13, 2015
Tuesday, June 30, 2015
Thursday, June 18, 2015
The Tamalpais Path
...the steps begin in the redwood-shaded corner of Berkeley's Codornices Park, you cross a wooden bridge over Codornices Creek. As you begin to ascend concrete steps, you pass by another bridge that leads to a residence. You can continue to rise a total of 183 steep steps, through a wildish mini- canyon thick with ivy and blackberry bushes and a wild cherry tree under a canopy of bays, redwoods, and oaks...
Thursday, June 11, 2015
After the rains last year in March of 2014, many of the state residents, farmers, landowners, felt a little more confident about the amount of moisture in the soil and the levels of water in the reservoirs.
But after this recent dry winter, with very few rainstorms, and spotty occasions of Sierra thunderstorms, the state of California is now back in the extreme mode of water conservation.
We need to save water, we must conserve.
Here are my paintings from last year...
Thursday, June 4, 2015
Kicking off the traditionally foggy month of June in San Francisco with a Visual Notes piece about the dialogue and coversation that was noted and illustrated at the SPUR Urban Center. I have captured most of the topics and issues here, and only missed one item and the spelling of Zaatari, the instant refugee city in Syria...
Labels: Allison, architecture, Arieff, artist, capture, criticism, design, diagram, dialogue, douglas wittnebel, Kimmelman, mission street, san francisco, SPUR, Visual notetaking, visualization, Zaatari, Zumthor
Sunday, May 31, 2015
"Interestingly, Koi, when put in a fish bowl, will only grow up to three inches. When this same fish is placed in a large tank, it will grow to about nine inches long. In a pond koi can reach lengths of eighteen inches. Amazingly, when placed in a lake, koi can grow to three feet long. The metaphor is obvious. You are limited by how you see the world."
- Vince Poscente
Thursday, May 21, 2015
The first plumeria plant was introduced into Hawaii in 1860. It was delivered by Wilhelm Hillebrand, a German physician and botanist who lived in Hawaii from 1851 to 1871.
An interesting tidbit, Plumeria flowers are most fragrant at night to lure sphinx moths to pollinate them. The flowers have no nectar, however, and really trick their moth pollinators. The moths pollinate them by transferring pollen from flower to flower in their fruitless search for nectar.
Friday, May 15, 2015
Dragon turtles, lions, griffons and other marble creatures spout water into the pool at the Marriott...
Tuesday, May 12, 2015
A digital plein aire painted view of some of the flora on the garden edge of the beach at Kalapaki...Kauai...
Monday, May 11, 2015
I saw a collection of soursops sitting on a farmers table in Poipu,
And I thought of all the strange fruit I have seen in my travels,
I asked the farmer about the taste and preparation,
She nodded and replied, simply slice and take a bite with a spoon...
Sunday, May 10, 2015
On this beach, we met Ninja, the black dog of speed and agility, and his caretaker, Lauren...
We learned that Lauren will be publishing a book in September and look forward to its premiere...
Saturday, May 9, 2015
The beach scene at Kalapaki next to Nawiliwili beach on the green and brown isle of Kaua'i...painted with the Adobe Sketch app on the iPad...
Thursday, May 7, 2015
Saturday, April 25, 2015
A selection of colorful illustrations created for several topics in the HR news email bulletin at Gensler, all created with a rough draft freehand sketch and an overlay final with Adobe apps.
Monday, April 20, 2015
Some weekend open times have allowed me to test and try the canvas once again, with a series of layered and striped attitudes in colors of day and night...
Tuesday, April 14, 2015
Much to my surprise all the protective gear I was wearing was not enough to guard against burns. I learned this the hard way when I let one of my glove encased forearms linger near the heat. In a matter of nanoseconds, the heat singed my forearm hair, and the smell of burnt hair hung in the air.
A blacksmith's tools. Image © Douglas Wittnebel
The sheer amount of heat it takes to mold and shape metal is one of the most incredible things about blacksmithing. I recently took my first blacksmithing class with the Crucible team in West Oakland, Calif. As someone who paints, builds furniture, and even tinkers with robots, I consider myself to have a strong understanding of both the challenges and wonders intrinsic to DIY activities. But blacksmithing left me with a more profound appreciation of the sheer amount of energy it takes to transform raw steel into something useable. The intense heat and look of the massive and heavy gas powered forge, that glowing reddish orange light reminiscent of the sun, imbues a sense of respect into the novice student. Part of this respect stems from fear of getting burned, while the rest arises from the awe you feel standing so close to the source of energy that makes working with steel possible.
Blacksmithing challenged me by forcing me to think and design what it is I wanted to make while I was simultaneously heating the metal and hammering into shape. It’s akin to drawing or sculpting in space, except rather than working with relatively benign brushes and pencils you’re relying on the heat from a 2,000F + degree forge to turn one of the hardest substances on earth into a malleable, shapeable material...
Friday, April 3, 2015
|...a page from the digital file drawings from the process of book illustrations...|
Here is a set of the developed color versions for the illustrations created for the chapter headings and section headers of the newly released book by Art Gensler. [ Art's Principles ]